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CHAPPELL GREEN 83

This colour will at times read green, at other times blue, depending on which colours are put with it.  Mid Tones undercoat.  

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CAT’S PAW 240

Stronger in colour than its counterparts String and Cord, this is a good yellow-based neutral.  Try alongside darker reds and warm blues.  Mid Tones undercoat.  

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CASTLE GRAY 92

First used on the exterior woodwork of a stone castle. A good period green for exterior use.  Dark Tones undercoat.  

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CARD ROOM GREEN 79

For those who think this colour too drab, try with Fawn.  Dark Tones undercoat.  

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CALLUNA 270

A much requested pretty heather colour.  Warm but with an element of sophistication due to the addition of black.  White & Light Tones undercoat.  

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CALKE GREEN 34

This is a colour based directly on a cleaned version of the breakfast room at Calke Abbey.  Dark Tones undercoat.  

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CALAMINE 230

Colours like this one appeared regularly in country house anterooms and boudoirs from the 1870s on into Edwardian times.  White & Light Tones undercoat.  

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CABBAGE WHITE 269

A delightful clean colour that takes its name from the distinctive wings of the Cabbage White butterfly.  Slightly lighter and warmer than Borrowed Light.  White & Light Tones undercoat.  

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BRINJAL 222

This deep aubergine colour originated as a 19th century estate colour. Red & Warm Tones undercoat.  

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BREAKFAST ROOM GREEN 81

This colour is lively both by day and candlelight.  Mid Tones undercoat.  

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BRASSICA 271

An aged darker version of Calluna. This colour comes alive when combined with Calluna or Pelt.  Dark Tones undercoat.  

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BORROWED LIGHT 235

A perfect bedroom light blue wall colour, though it can also be used as a complement to darker colours. White & Light Tones undercoat.  

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BOOK ROOM RED 50

To do the work of Picture Gallery Red or Eating Room Red but in smaller rooms.  Red & Warm Tones undercoat.  

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BONE 15

As woodwork for strong colours or to simulate stone when combined with Lime White. Mid Tones undercoat.  

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BLUE GROUND 210

A blue wallpaper ground first used in our Damask collection. Dark Tones undercoat.  

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BLUE GRAY 91

A bluer version of French Gray. This colour will appear bluer in well lit rooms.  Mid Tones undercoat.  

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BLAZER 212

A bright vermillion red similar to the colour of the sports blazer worn at St. John’s College, Cambridge. Red & Warm Tones undercoat.  

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BLACKENED 2011

Historically made with the addition of ‘lamp black’, a pigment made by collecting the residue from burnt lamp oil.  White & Light Tones undercoat.  

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BLACK BLUE 95

This colour is definitely blue when painted in large areas. It is a blue version of Studio Green.  Dark Tones undercoat.  

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BALL GREEN 75

An old fashioned distemper colour from the Farrow & Ball archives.  Mid Tones undercoat.  

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BABOUCHE 223

The brightness of this yellow will intensify on large areas. White & Light Tones undercoat.  

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ARSENIC 214

A green verdigris wallpaper ground colour first used on our Napoleonic Bee wallpaper.  Mid Tones undercoat.  

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ARCHIVE 227

Darker and warmer than Joa’s White, this colour would normally be seen as a buff and not an off-white unless used with strong dark colours.  Mid Tones undercoat.  

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ALL WHITE 2005

Farrow and Ball’s cleanest and whitest white – it will bring freshness to any colour.  White & Light Tones undercoat.  

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